This chapter from the perspective of texture variation on Lindbergh in three orchestral works that embodied the "pedal melody" texture pattern was concentrate on, as the author when the article first proposed the expansion and enrichment .

The chapter has variations from weaving Commonwealth perspective of the lindeberg orchestral works in this Part 3, as reflected by the melody "mound" focuses on the organizational integration patterns, can be submitted for the first time, as the writer of the article extension and enrichment.

This Zhang Congzhi the body variation angle, manifested “the footboard melody” to Lindbergh in these three orchestral music work to weave the body shape to carry on the centralism elaboration, might take proposed for the first time to the author when that article expansion and enrichment.

The chapter from the perspective of texture variations, Lindbergh in the three orchestral works embodied in the "pedal Melody" woven body morphology concentrates, first proposed as the author of the article when expanded and fleshed out.

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